Inspired Detail
HE fact that some of the best music and the pick of the BBC talks are reserved for 1YA’s Sunday afternoon programme makes it perhaps the most dependable three hours’ listening of the week. Recently we‘have been hearing repeats of the fine. In the Words of Shakespeare series which can stand being re-played several times, and now Chapter and Verse is back again. In listening last Sunday to the programme on John Keats, which I missed on its first round, I was struck not only by the sincerity of the verse-reading, but by the characteristi¢é BBC attention to detail. The selection of poems was good, and the extracts from the letters arranged so as to illuminate the poems and show the development of Keats’s idea of poetry. But it was the> little things which caught my attention-the economy of the introduction, the fact that, while a soprano read "La Belle Dame Sans Merti," it was a contralto who read "Ode to Autumn," and the Slight but unmistakable Cockney accent of the man who read from these letters. These are the touches which please us by their revelation of extra care, afid which lift programmes above the mediocre.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19500217.2.20.2
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New Zealand Listener, Volume 22, Issue 556, 17 February 1950, Page 10
Word count
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199Inspired Detail New Zealand Listener, Volume 22, Issue 556, 17 February 1950, Page 10
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.