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ITALIAN JOURNEY

A SUMMER IN ITALY, by Sean O’Faolain; Eyre and Spottiswoode; London.’ English price, 12/6. ‘THERE are 66 short chapters in this book and every one of them is worth a second reading. It is no. guide book, cluttered with tiresome descriptions of (continued on next page)

(continued from previous page)

churches, monuments and works of art, among which Itali appear as rather static irftidentals against the background of their immense past. This is a living book, the work of a mind stored with the fruits of seasoned reading and reflection. The grain of history is scattered through it with discretion and wit; and references to the war and its aftermath are used only to emphasise a moment or a feature. Politics have no, place in this record of a journey made through Lombardy and Tuscany, as far south as Rome and.across to Venice.. Sean O’Faolain, like so many other — sensitive travellers, never did any of the things he had planned to do, but his quick response to beauty directed his footsteps, leading him to places and incidents the guide books never find or encounter. Although devoutly religious, O’Faolain. could and would not accept

many of the apocryphal stories about relics and churches; he does not write in a nostalgic way about the past, though he is acutely sensitive to its legacy of beauty and magnificence. He writes with warmth.

understanding and wit of the people he meets at the races, a wine fair, a funeral, in trains and pubs (he even refers to "pubs" in Venice), and he carries on the most delightful canversations with his own "devil" about "Art and hd, and "Art and Reality." He prefers the living to the inanimate, and on his tour through Turin, Genoa, Florence, Verona and Siena he never remarks on the obvious, whether he is discussing a landscape, a tower, a bridge, a thunderstorm, Tintoretto, a glass of wine or Ruskin. This is a book one longs to quote. One of his reflections, at the end of a day when the beauty of Italy had almost exhausted him, most aptly describes its quality: "I think that what we remember is not half so important as what we half forget, for these are the moments that sink into our deepest being. Those lost idle hours of those lost idle days are what I ache for when I take up again the rotted net of memory, crumbled by

the narcotic sun."

O.A.

G.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19500113.2.21.7

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 22, Issue 551, 13 January 1950, Page 14

Word count
Tapeke kupu
411

ITALIAN JOURNEY New Zealand Listener, Volume 22, Issue 551, 13 January 1950, Page 14

ITALIAN JOURNEY New Zealand Listener, Volume 22, Issue 551, 13 January 1950, Page 14

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