Classical Cacophony
HE afternoon Classical Hour is usually of interest only tq women, not because of its contents, but because of its time. Election Day, afternoon provided a rare opportunity to hear an attractive programme of Purcell, Pergolesi and Haydn from 4YA, At first all went well. Sir Henry Wood’s arrangement of snatches of Purcell is an old record, but a constant delight. As for. the Pergolesi, listeners must be getting a little tired of being coyly reminded that the Oboe Concerto is played by Evelyn Rothwell and "her husband," Sir John Barbirolli; but there’s nothing coy. about the music. Then came disaster. The Marian Anderson recording of the Haydn songs is not a good one, the surface is far too shrill and nearly all the effect of her lovely lower register is lost. The record that followed, a new one of Haydn’s London Symphony with Dobrowen and the Philharmonia Orchestra, was far, far worse. The last movement in particular was a horrifying jungle of sound, apparently being hacked about by
strong men with machetes. The noisy surfaces of these recordings were commented on by overseas critics at the time of issue, but the Haydn is only one among many of the newer records which tax the resources of most sets.
K. J.
S.
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New Zealand Listener, Volume 22, Issue 547, 16 December 1949, Page 11
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214Classical Cacophony New Zealand Listener, Volume 22, Issue 547, 16 December 1949, Page 11
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