A SPRING QUARTET THE NAKED AND THE DEAD: Norman Mailer. 15/9 Posted: Written without exhibi- tionism, this novel of front-line life in the Pacific war penetrates far beneath surface emotions and actions, achieving a realism which has made it the most 1 fiercely argucd book since Ulysses ' SINGERS OF To-DAY, Donald Brook; 20/- Posted: Pen portraits of forty notable con- temporary singers, combining biographical notes with first-hand advice on voice production; microphone technique and oratorio singing. SHAKESPEARE SURVEY 2, Edited by Allardyce Nicoll, 16/3 posted: The second volume in a series of yearly surveys dealing with Shakespearian discovery, history, criticism and production all over the world: THE ORCHESTRA, Adam Carse, 7/9 posted: The story of the orchestra from its begin- nings to the present day, with references to many famous players and conductors: Containing over 40 illustrations, including 4 colour plates: WELLINGTON Co-OPERATIVE Book SOCIETY LIMIted. MODEEN EOOKS 48A MANNERS STREET; WELLINGTON C1 Nz
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19490930.2.36.1
Bibliographic details
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New Zealand Listener, Volume 21, Issue 536, 30 September 1949, Page 17
Word count
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154Page 17 Advertisement 1 New Zealand Listener, Volume 21, Issue 536, 30 September 1949, Page 17
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.
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