All for Love
HEN you come to think of it it’s rather odd to see one medium of entertainment assiduously fagging for another, but we have been so long accustomed to the spectacle of radio as an obliging Cinderella to the other arts (and without getting much credit for it) that we have come to take it for granted. ‘I noticed this. particularly ‘the other Saturday when I happened to tune in to 2YC’s From Screen to Radio-"a
Film Digest Dealing with All Aspects of the Motion-Pic-ture Industry." It was an absorbing session. The film dealt with was Carol Reed’s The Fallen Idol, possibly a better -than-average subject, and the mood was that of a glorified trailer. The man with the mike
approached Carol Reed, Sir Ralph Richardson and others with, questions of the "And tell me, Sir Ralph, what did you find the most interesting thing in your interpretation of the part?" variety. When questions of the plot were involved it was customary for the interviewed to wag @ coyly admonitory finger and say "Vm afraid you'll have to see the film to find that out." Interesting as the session was I felt that the ZB’s do these things better, since they at any rate have the sense to demand payment for services rendered.
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New Zealand Listener, Volume 21, Issue 529, 12 August 1949, Page 12
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214All for Love New Zealand Listener, Volume 21, Issue 529, 12 August 1949, Page 12
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.