FIRST DAY AT LORD'S
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DOROTHY
ANDERSON
AST time we had watched cricket it had been on a village green in Buckinghamshire. We had not known players or score, but the sun was shining and the grass was, very green. We had stretched out, watched the white figures and drowsed. This was different. This was serious business, played at the very heart of the cricket world. This was Lord’s on the first day of the second Test Match between England and New Zealand. = We arrived just after the lunch interval when the sky was hazy with heat and the massed white circle around the pitch was tense and troubled. Compton and Mann were striving to retrieve England’s position and there was a stillness with every ball and elation with every run. Thirty thousand people, the papers said, were present. It was a pastel-coloured crowd, white predominating, with blobs of brown that were faces and above them darker smaller blobs that. were heads. Brilliant touches of colour stood out, dabs of yellow and blue, and the scarlet of a Chelsea pensioner, standing just below us. It was a sun-scorched crowd, too; dark glasses, straw hats, knotted handkerchiefs and hats from newspapers-all were used for protection. Small boys in their hundreds sat along the inner circle of the grass, watching every stroke of the great Denis and cheering his every run. There were the regulars, grizzled elderly gentlemen with thermos flasks, sandwiches and cushions and an intimate knowledge of all the cricket that has ever been played.
One such gentleman sat. next to us and from him we learnt much, He corrected us when we mistook Wallace for Donnelly and when I spoke @f mid-on instead of mid-off; and particularly, we learnt from him the reasons for the solemn clapping that occasionally sounded forth. There was clapping when Compton reached twenty-eight and that signified, we learnt, that he had now made three thousand runs in Test cricket. Another deliberate round of applause when the score was at 212 was for the hundred partnership between Compton and +
Bailey. There were other bouts of clapping for more recognisable reasons, a maiden over, a good return, a fine stroke. Denis Compton reached his hundred, there was nothing deliberate about the applause then. The watchers on the grass rose and cheered, and_ thirty thousand pairs of hands acclaimed him. When he was finally caught, the whole arena stood and clapped him on his way to the pavilion. In the members’ stand, too, they stood for him, and we remembered reading what a_ coveted mark of respect that is to a cricketer. Again they rose a few minutes later when Bailey followed Compton. WATCHING cricket is a very concentrated business. Over the air. the commentator’s voice flows so easily; "the ball turned," "swept to leg," "middling it well." But from the stand there seems too much to watch. Keep your eyes on the bowler and you do not see the batsman crouched over his bat, Watch the fieldsman chase the ball, capture and throw it, and you miss the gallop down the pitch. And that afternoon at Lord’s there were so many other things to watch, There was the nonchalant stand of the three men in slips and "the effortless way a hand would reach out, catch and return a ball all in one gesture. There were the batsmen "gardening" (as John Arlott calls it) down the pitch, thumping at invisible hillocks, tossing infinitesimal pieces of loose turf to the side; and Sutcliffe and Compton chatting together for a moment at the field cross-over, There was. the scoreboard to watch with its numbers turning so swiftly that the new score was recorded almost before the ball had reached the boundary. There was the rest of the English team, sitting upon the balcony of the pavilion, with Evans waiting all afternoon with his pads on. There were the scorecards with the results already printed on them and a little note on. the back saying that it
was "not practicable to issue fresh cards at the fall of each wicket." There was the solid imperturbability of Burtt, looking at the ball, licking his fingers, bowling, and within seconds and without movement, picking up a_ ball viciously driven back to him. There were voices, too, ‘to listen to. All round us there was a _ continual mention of "Denis" and what he was doing for England. There was Bailey’s frantic "Nof" as Compton started an impossible run. And all the time there was the fielding to watch and admire. There was an effortless.ease in the way the New Zealanders. handled the ball, as though ball and hand must automatically come together. There seemed no thought, no effort, no movement; just.a hand stretched out and the ball was there. With the departure of Compton and Bailey, it was good to see the New Zealand bowlers reaping their reward, but there were anxious moments left when Scott and Sutcliffe came out to fill in the last fifteen minutes. We need not have fretted. Mann ringed Sutcliffe with eight fieldsmen and he slipped a ball just beyond them all, for four. Twenty runs in fifteen minutes and no wickets. It was a good ending to a good day. Thirty thousand people poured out of Lord’s. Barrow boys and newspaper boys waited for them. The crowd read of that other crowd at Wimbledon and that there had been excitement in the tennis world as well. Barrow boys were selling cherries and plums. and autographed photos of the New Zealand team for sixpence and "All about the New Zealanders" for a shilling. And so to the queues. Queues stretched far . down the road for buses to Baker Street and the West End, and from St. Johns Wood Underground Station right down to the corner of the street. Everywhere, paper boys, barrow boys and policemen attended to the crowd.
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New Zealand Listener, Volume 21, Issue 526, 22 July 1949, Page 7
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986FIRST DAY AT LORD'S New Zealand Listener, Volume 21, Issue 526, 22 July 1949, Page 7
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.