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THE SECOND lesson on the Foxtrot in 3YA's "Modern Ballroom Dancing" series will be given by A. L. Leghorn on July 7 at 9.30 p.m., when the natural turn will be described. It should be at once apparent how this turn differs from the natural turn in the Quick Step and Waltz. The whole character of the Foxtrot, says Mr, Leghorn, is expressed in flowing movement with a soft undulation created by a controlled rise and fall, which in its turn demands accurate footwork. The most typical of English dances, the Foxtrot develops excellent balance and control, though to the onlooker it should appear lazy and unhurried.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
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Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19490701.2.24

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 21, Issue 523, 1 July 1949, Page 10

Word count
Tapeke kupu
107

THE SECOND lesson on the Foxtrot in 3YA's "Modern Ballroom Dancing" series will be given by A. L. Leghorn on July 7 at 9.30 p.m., when the natural turn will be described. It should be at once apparent how this turn differs from the natural turn in the Quick Step and Waltz. The whole character of the Foxtrot, says Mr, Leghorn, is expressed in flowing movement with a soft undulation created by a controlled rise and fall, which in its turn demands accurate footwork. The most typical of English dances, the Foxtrot develops excellent balance and control, though to the onlooker it should appear lazy and unhurried. New Zealand Listener, Volume 21, Issue 523, 1 July 1949, Page 10

THE SECOND lesson on the Foxtrot in 3YA's "Modern Ballroom Dancing" series will be given by A. L. Leghorn on July 7 at 9.30 p.m., when the natural turn will be described. It should be at once apparent how this turn differs from the natural turn in the Quick Step and Waltz. The whole character of the Foxtrot, says Mr, Leghorn, is expressed in flowing movement with a soft undulation created by a controlled rise and fall, which in its turn demands accurate footwork. The most typical of English dances, the Foxtrot develops excellent balance and control, though to the onlooker it should appear lazy and unhurried. New Zealand Listener, Volume 21, Issue 523, 1 July 1949, Page 10

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