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ALTHOUGH the steps of the Modern Waltz are easy to learn, steps are not the most important factor, and the learner must give a good deal of attention to several other details before he can expect to acquire the rhythmic swing of the dance. He should be able to use "contra body movement" correctly so as to be able to swing easily into the turns, the correct relaxing and straightening of the knees to produce the rise and fall, and the correct use of body sway. All these factors, which play their part in producing a dance with continuously flowing rhythmic movement, will be explained by A. L. Leghorn in his broadcast lesson from 3YA on June 16 at 9.30 p.m.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19490610.2.25.1

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 21, Issue 520, 10 June 1949, Page 10

Word count
Tapeke kupu
121

ALTHOUGH the steps of the Modern Waltz are easy to learn, steps are not the most important factor, and the learner must give a good deal of attention to several other details before he can expect to acquire the rhythmic swing of the dance. He should be able to use "contra body movement" correctly so as to be able to swing easily into the turns, the correct relaxing and straightening of the knees to produce the rise and fall, and the correct use of body sway. All these factors, which play their part in producing a dance with continuously flowing rhythmic movement, will be explained by A. L. Leghorn in his broadcast lesson from 3YA on June 16 at 9.30 p.m. New Zealand Listener, Volume 21, Issue 520, 10 June 1949, Page 10

ALTHOUGH the steps of the Modern Waltz are easy to learn, steps are not the most important factor, and the learner must give a good deal of attention to several other details before he can expect to acquire the rhythmic swing of the dance. He should be able to use "contra body movement" correctly so as to be able to swing easily into the turns, the correct relaxing and straightening of the knees to produce the rise and fall, and the correct use of body sway. All these factors, which play their part in producing a dance with continuously flowing rhythmic movement, will be explained by A. L. Leghorn in his broadcast lesson from 3YA on June 16 at 9.30 p.m. New Zealand Listener, Volume 21, Issue 520, 10 June 1949, Page 10

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