UNIVERSITY TRIO
"Chamber Music in Otago HEN Doctor Galway visited Wales in 1938 he was most impressed by the work of the instrumental trios attached to three of the four Welsh colleges, and when he made the suggestion that the bequest of the late Dr. William Evans should be used to provide a similar trio for the University of Otago it met with the whole-hearted approval of the Professorial Board and the Council. With the aid of the Trio it is hoped to bring chamber music within the experience of students of every faculty. During the session regular (and free) recitals will be given for staff and students, and the trio will also provide illustrations for certain lectures in the Music Department. Outside the University there will be a series of four subscription concerts a year for the public, and several for secondary schools. At the end of the university ‘session the Trio will probably go on tour in Otago and Southland under the auspices of the Adult Education Movement. A photo of the University Trio’ appears on page 25. Two of the members, Gladys Bate (violin) and Francis Bate -Cecello), have a dominion-wide reputation through their association with the Christchurch pianist Ernest Jenner in chamber music recitals. Maurice Till, the pianist, though still in his early "twenties, has already more than justified "his inclusion. Listeners will have their ‘first opportunity of hearing the Trio on Monday, May 30, at 8 o’clock from 4YA ‘when they will illustrate Professor Galway’s Masterpieces of Music, from the studio by playing Arensky’s Trio in D Minor. Later works presented by Professor Galway will also be performed by the Trio.
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New Zealand Listener, Volume 20, Issue 518, 27 May 1949, Page 13
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366UNIVERSITY TRIO New Zealand Listener, Volume 20, Issue 518, 27 May 1949, Page 13
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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