Like thousands of other New Zealanders, the Wellington cartoonist "Mack" recently spent a night at the
Opera. He took his sketch-pad and pen back-stage, to record something of the tremendous bustle and activity
(and the apparent chaos and contusion, as it seems to a layman) during a performance, of "Madame Butterfly." He wandered at will among the flats and
platforms, peeped into dressing rooms, studied the features—natural and made-up—and the costumes of
the cast. His composite impression of the Dack-stage scene shows, in the top left-hand corner, Lieutenant Pinkerton (Leo Piccioli) putting on the finishing
touches, and Sharpless (Aldo Ferracuti) just starting on his transformation. The figure at top left centre
(hand to chin) is Bruno Nofri, the stage manager, who moves about behind the stage, carrying the musical score and humming the melody throughout.
the performance, in the top right-hand corner, Sharpless, dressed tor his part, takes a glass of what could
be either property wine, or the real thing. Gazing out to sea with the telescope (lower centre) are Madame Butterfly (Mercedes Fortunati) and Suzuki
(Maria Huder). Madame Butterfly and Pinkerton appear again in characteristic poses at the lower right
of the illustration. The back-stage atmosphere is completed by sketches of the players of minor roles, the electricians, stage-hands, floodlights and pieces of
property seen on either side of the illustration. The autographs are those of Mercedes Fortunati, Leo
Piccioli, and Aldo Ferracuti,
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19490506.2.50.2
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 20, Issue 515, 6 May 1949, Page 25
Word count
Tapeke kupu
235Like thousands of other New Zealanders, the Wellington cartoonist "Mack" recently spent a night at the Opera. He took his sketch-pad and pen back-stage, to record something of the tremendous bustle and activity (and the apparent chaos and contusion, as it seems to a layman) during a performance, of "Madame Butterfly." He wandered at will among the flats and platforms, peeped into dressing rooms, studied the features—natural and made-up—and the costumes of the cast. His composite impression of the Dack-stage scene shows, in the top left-hand corner, Lieutenant Pinkerton (Leo Piccioli) putting on the finishing touches, and Sharpless (Aldo Ferracuti) just starting on his transformation. The figure at top left centre (hand to chin) is Bruno Nofri, the stage manager, who moves about behind the stage, carrying the musical score and humming the melody throughout. the performance, in the top right-hand corner, Sharpless, dressed tor his part, takes a glass of what could be either property wine, or the real thing. Gazing out to sea with the telescope (lower centre) are Madame Butterfly (Mercedes Fortunati) and Suzuki (Maria Huder). Madame Butterfly and Pinkerton appear again in characteristic poses at the lower right of the illustration. The back-stage atmosphere is completed by sketches of the players of minor roles, the electricians, stage-hands, floodlights and pieces of property seen on either side of the illustration. The autographs are those of Mercedes Fortunati, Leo Piccioli, and Aldo Ferracuti New Zealand Listener, Volume 20, Issue 515, 6 May 1949, Page 25
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.