SACRED MUSIC SESSION
Sir,-As one who listens regularly to the splendid programme of sacred music from 1YD every Sunday at 10.0 a.m. may I be permitted a word of appreciation? Living as we do some distance from a church, we find that this programme serves not only as a reminder of the true purpose of Sunday, but as a fitting prelude to the broadcast church services at 11.0. A special word of appreciation is due to one announcer who, instead of baldly announcing each item, takes the trouble to introduce it. with some brief well-chosen remarks which do much to enhance the value of this all-too-brief session.
SUNDAY MORNING AT TEN
(Whenuapai).
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19490429.2.15.8
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 20, Issue 514, 29 April 1949, Page 5
Word count
Tapeke kupu
112SACRED MUSIC SESSION New Zealand Listener, Volume 20, Issue 514, 29 April 1949, Page 5
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.
Log in