ARTHURIAN LEGEND
ARTHURIAN TORSO. By Charles Williams and C. S. Lewis. Oxtord University Press, London. English price, 12/6. N the last years of his life Charles Williams was writing a prose work on the Arthurian legend, presumably with the intention of supplying a background for his poems on the same subject. He died before the book was finished; but he had read the manuscript to C. S. Lewis, and had discussed with him both the prose and the poetry, Arthurian Torso contains the posthumous fragment "The Figure of Arthur," and a commentary on the lyrical cycle published earlier in Taliessen Through Logres and The Region of the Summer Stars, Lewis clearly believes that Williams wrote some of the greatest poetry of his time. He believes also that if it were left without a commentary it "might soon become another such battlefield for competing interpretations as Blake’s Prophetic Books." Readers who have not discovered the poetry must take their impressions of it from the passages quoted by Lewis. They may then be encouraged to go forward from the criticism to the poetry, but they will need to be unafraid of mystery. Williams was a deeply religious man who was also a student of magic, and his work is made difficult by his use of symbolism. Under his treatment the Arthurian legend becomes a Christian myth in which every character and, event is given spiritual significance. Narrative turns into allegory; the intention of the music is to suggest modes of being which could be related to the subtlest conceptions of theology. Only those who share Williams’s background of thought and faith can expect the music to be intelligible; and even for them there may be many passages where words fall upon the ear without meaning. Lewis himself admits that he (continued on next page)
BOOKS
(continued from previous page) cannot understand some parts of the lyrics. Great poetry may be difficult, but it must also be accessible. If Williams’s Arthuriad needs scholarly interpretation, a few years after it was written, it may have only a faint chance of acceptance and survival.
M.H.
H.
Permanent link to this item
https://paperspast.natlib.govt.nz/periodicals/NZLIST19490401.2.22.4
Bibliographic details
New Zealand Listener, Volume 20, Issue 510, 1 April 1949, Page 11
Word Count
351ARTHURIAN LEGEND New Zealand Listener, Volume 20, Issue 510, 1 April 1949, Page 11
Using This Item
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.