BRASS BANDS.
Sir,-You were very tactful about bands in your editorial of February 25. Perhaps they could be described as a way to keep more people busy making ‘More music more loudly than by any other means. But quantity is not’ the only criterion in the arts. Band playing can reach a very high pitch of skill. However, as Percy Scholes says in the Oxford Companion to Music, "Unfortunately the repertory of the brass band is not very rich. The music played is too often either of poor quality (if original) or of the nature of an ‘arrangement’ (if of better quality). Most of our serious composers have neglected the medium." Tflis is only natural, since a composer is unlikely to restrict himself to brass tone-colour for the expression of his best thoughts. One could view the great development of bands with more indifference but for the suspicion that by them talent is diverted from more flexible media, and sensitive ears rendered unresponsive to more subtle sounds. "Band Conductor" is wrong in supposing that Parliament is broadcast for its educational and cultural value. It is put on the air for its political value. To replace it by band music would be to substitute sounds having none of these kinds of value. ;
HUTT LISTENER
(Belmont). --
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19490311.2.14.1
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 20, Issue 507, 11 March 1949, Page 5
Word count
Tapeke kupu
214BRASS BANDS. New Zealand Listener, Volume 20, Issue 507, 11 March 1949, Page 5
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.