Singers—and Singers
| HAVE been listening over the past few months to a considerable number of local singers, with pleasure at the generally high level of ability, . The microphone gives volume to a _ voice which might be too small to satisfy in
the flesh, but it ‘is also merciless to sae Inspiring singing should of colrse not be expected from local performers, almost all amateurs, but it is surprising how good they often are. One thing which frequently causes me astonishment is to hear a young singer broadcast a group of songs containing the "Sapphic Ode," "Gretchen at the Spinning Wheel," "Death and _ the Maiden," and so on-the greatest of songs, familiar in recordings by the finest singers in the world, and at once inviting comparison. How much better is it to hear a local performer pick songs less well known, and give additional pleasure by introducing listeners to. music they perhaps have not heard before. I am past being surprised to hear a woman sing songs whose words obviously make them men’s.songs; men singers invariably have more sense. The woman who does this is usually one who makes no effort to have her words heard at all, and obviously doesn’t care tuppence what the words are about. ‘Blessed is the singer whose words can be heard, for she shall be listened to again!
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19481112.2.36.3
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New Zealand Listener, Volume 19, Issue 490, 12 November 1948, Page 18
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223Singers—and Singers New Zealand Listener, Volume 19, Issue 490, 12 November 1948, Page 18
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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