'THE LISTENER' CROSSWORD
"(Solution to No, 414)
Clues Across 3. Roman ones formed the title of an Eddie Cantor film. 8. Palm found in the spare cabbage patch. 9, Reg, mine is out of "order. 10. An extinct bird gets mixed up with the wine in a very suitable place. 12. Try out the underground railway in the laboratory? 14. Enter (2 words). 16. "Over thy wounds now do I prophesy, Which like dumb — do ope their ruby lips." ("Julius Caesar," Act 3, Se. 1) 17. Noel is involved with the manuscript-this is no laughing matter. 19. Earns (anag.) 20. Concord follows the little devil with no evil results. 22. Is close to a small piece of bone. 23. The Roman four in a trial — insignificant, surely. 24. His aicieishbe married a son of Ivan the Terrible; a well-known Russian opera deals with his story. (Is this clue good enough? ) 25. Dear Gene is an apostate. Clues Down 1. Dared, in a way. 2. These runners should be full of beans. 4. Tram conductors in 5. One giant apparently says "no. 6. Maker of ‘arms. 7. Something more than just singing — I think I smell burning. 11. One name of one of the authors of "Our Hearts Were Young and Gay." 13. I’m better, thank you, but still a little put out. ‘ 14. Mount pig? Does this make sense! 15. Apparently considering an emaciated monarch, 17. It suffers a reverse in however fussy a 18. Refer to the dictionary for this form of line cox. 19. Cohfused toil in the midst of shillings and pence 21. "Ah, did you once see Shelley -, And did he stop and speak to you," (Browning )
No. 415 (Constructed by
R.W.
C.
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New Zealand Listener, Volume 19, Issue 487, 22 October 1948, Page 13
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287'THE LISTENER' CROSSWORD New Zealand Listener, Volume 19, Issue 487, 22 October 1948, Page 13
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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