Mothers and Babies in Fiction
A MORNING session, For the Confirmed Novel Reader from 4YA, proved very rewarding. I anticipated that the speaker, Margaret Dalziel, would be dealing only with the better
class of novel, and I was right. On the person who reads novels only for the sake of reading, I imagine the speaker would waste little: sympathy. Her tone’ of voice, when deal-' ing with the "mill-| girl weds heir to; dukedom" type of fic-’ tion, Was somewhat | scathing, and it was
with obvious pleasure that she was able to assure listeners that this kind of domestic novel has had its day. dNovels dealing with women’s work, nowadays, are mainly realistic, she told us, and they place the accent (possibly too heavily) on the drudgery and difficulty of most women’s jobs-including housework. I thought one remark a little too bitter. I refer to the statement (not the speaker’s own, but qa quotation) "The best view a mother ever sees of her children is their back view going out the gate." Surely there is a lot to be said for motherhood--even in realistic fictionas a vocation. If the 80-hour week of the housewife and mother of small babies could be reduced by half, I imagine few women would prefer to give up home-keeping in favour of working for a boss. Why doesn’t someone write. an attractive novel telling us how this can be done? I guarantee it would be a best-seller.
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19481015.2.23.1.6
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 19, Issue 486, 15 October 1948, Page 11
Word count
Tapeke kupu
242Mothers and Babies in Fiction New Zealand Listener, Volume 19, Issue 486, 15 October 1948, Page 11
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.