Monday Morning
MONDAY morning talks from 2YA "seem to be selected on the Lucky Dip principle, and-thase strong feminists who object to the W. certificate were possibly gratified by the inclusion (continued on next page)
(continued from previous page) in the lucky bag of Cyril Belshaw’s Melanesian Shell Ornaments or the recent Principles of the United Nations Organisation, both of which were heterosexual enough, if not lively enough, for inclusion in the evening programmes. But I, like the Good Queen, dislike being addressed as if 1 were a public meeting, and I tend to prefer those Monday mornings when Joan Airey’s delightful "Letter from Britain" comes to hand. Since, however, Miss Airey continues to be an erratic correspondent I find myself filling in with items such as "The Story of Mary Jane" (August 23), wherein an anonymous speaker chronicled the life of a pseudonymous heroine of the recent war. This could, end should, have been warmly human and deeply moving, but the reader’s attempt to ram home the moral, the tendency to preach rather than let the story speak for itself ("Mary Jane says that if all women banded together they could prevent another war’) made me almost. nostalgic for the cultured impersonality of Mr. Belshaw.
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New Zealand Listener, Volume 19, Issue 480, 3 September 1948, Page 12
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206Monday Morning New Zealand Listener, Volume 19, Issue 480, 3 September 1948, Page 12
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.