Clarinet and Strings
HE recent performance from 2YA of the Mozart Clarinet Quintet by George Hopkins and the Cambridge String Quartet was a pleasure to listen to, Mr. Hopkins’s impeccable tone and suave phrasing set the key for what I thought the finest broadcast of this / popular work ever given by local players. His disregard of the disjointed phrasing imposed on the clarinet part / by meddling editors gave an interpretation which seemed to be really
ment seemed to me evident. A set of strict formal variations of Mozart’s time does not admit of sudden unmarked changes of speed from one variation to another. The last movement was started so fast that an abrupt and disconcerting change of tempo had to be taken at the viola variation. Surely it is this variation which sets the tempo for the whole movement?
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New Zealand Listener, Volume 19, Issue 480, 3 September 1948, Page 12
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139Clarinet and Strings New Zealand Listener, Volume 19, Issue 480, 3 September 1948, Page 12
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