The Riddle of the English
EVER have there been so ‘many books published about England and Britain, the English and the British, as of recent years, and the stream goes on swellingsWe may attribute this partly to the spread of education and the growth of the spirit of enquiry. Britons want to know more and more about their own country. But I suggest there are two other reasons. One is that England, or Britain, is now on the defensive. Gone are the days of the old unquestioned supremacy, when it was not considered necessary to dress the shop window. Customers came, or were expected to come, because they had to. Mr. Podsnap, you may remember, explained that "No Other Country is so Favoured as This Country," and when the foreign gentleman asked how other countries did, he replied gravely: "They do, sir, they do -I am sorry to be obliged to say it-As they do." The fabric on which all that assurance was built began to crack in 1914, and we afe reminded in reading this book that only the middle-aged remember when London, Mr, Podsnap’s universe, was the unchallenged ‘centre- of world finance. Britain has passed through two military struggles for dear life, into an economic struggle for existence as a great country. So she’ must explain herself. She must tell the world what she has done in every department of life, and how she has done it. The second reason is that a large part of mankind wants to know. The other western democracies realise Britain’s greatness more fully than they did, and the necessity for its continuance in the general interest of a free civilisation. But they have always taken her for granted rather than understood the reasons for her power and influence. It is significant that the Austrian Cohen-Port-heim called his between-the-wars book on the subject, "England, the Unknown Isle." His central theme was that the continent was sadly _ ignorant.
Europeans thought of England as powerful in arms and commerce, but almost wholly devoid of culture. The same attitude, I am told, was to be found in South America. So highly was English character rated that "The word of an Englishman" became _ a common saying, but people pictured Britons as honest traders and little or nothing else. Their cultural home was Paris, and it was a tremendous = shock when France fell
in 1940. It is the task of the British Council to correct such pictures, to show the British mind and the British way of life. E may take it then that this large, well-written, admirably illustrated, and sumptuously produced study of England* has not been issued for home consumption alone. It is part of: a campaign. Nor should the Dominions flatter themselves that they have little to learn on this vital question. They will do well to read its twenty-six chapters on many aspects of English life, written by different authorities. The subject is specifically and by purpose England, not Britain. .The contributors would not deny the value of other parts of the Kingdom, but their job was to explain England and the English as such. Even the most perfervid Scot might admit that England was overwhelmingly. the predominant partner. This method of presenting a national record and analysis has obvious drawbacks. Each writer is .confined to a chapter for what has often been given a volume’ or a library. He must therefore freely use the dangerous method of generalisation, and economise in exceptions. There may be a tendency to over-praise. But there are important advantages. The reader is given main facts in a small com-
pass. Moreover, he can thus. obtain between two covers a panorama of England-her economics and arts, her home life, habits and sports, her law and religion, and the characteristics of her people. It is like seeing from a height Housman’s "coloured counties" spread out before one in a vast landscape. One can look, study, and compare. Thus we find here threads running from one theme to. another. The reign of law, the basis of that freedom which is the chief mark of English life, is not confined to Lord Simonds’ excellent chapter on law.
It crops up in English financial supremacy. It wash’t only because they were skilled that London bankers ruled the money world; it was because they were honest, systematic, and dependable. It comes into the consideration of games, which must be played by rules. And the English press, we are told, works within the framework of a libel law more severe than in any other great nation. It is a factor in "The English at War," for the old-time antipathy to and neglect of the Army sprang partly from fear lest it be used by a tyrant. It is pointed out that what sent Englishmen round the world was private enterprise rather than official policy. Often it wasn’t a case of trade following the flag, but of the flag following the trader or adventurer. In New Zealand the adventurer Wakefield forced the hand of the highly reluctant British Government. But the same individualism, so Lord Kennett maintains in his chapter on town life, was responsible for the horrible scandal of unplanned industrial towns, and it still hampers urban progress because the Englishman centres his thoughts on his home, to the neglect of its outside social relationships. He has treated the country more wisely than the town. "Certain it is that at all times Englishmen have distrusted planning and respected action, have feared analysis and been delighted with achievement." This vital generalisation occurs in the section on recreation and games. This is a penetrating and witty review, but it contains nothing more illuminating on the subject than Lady Violet Bonham _ Carter’s story, in "Childhood and Education," of her illustrious scholar-statesman father. "Completely devoid of athletic accomplishment," Asquith took up his only game, golf, at forty-five, and "would get a glow of pride and self-fulfilment from a long putt, which no intellectual achievement ever came near to giving him." T some time or other in the last five centuries, every great capital in the western world has been occupied by an enemy, save London. Protected by their moat, the English could give their full attention to securing their personal freedom. It is stressed here that the impulse of life in England has come from below and not been imposed from above. Great public services now in the hands of the (continued on next page)
(continued from previous page) State were developed by individual enterprise. The Englishman has always fought’ for individual rights, and, says Richard Law, M.P., in the chapter "The Individual and the Community," one day he will turn on the bureaucrat. On the other hand, the moat produced a certain insularity of outlook, and national freedom and existence as a great power depended on one thing, command of the sea. As time went on and Britain deliberately staked her livelihood on world trade (with more abundant results than anywhere else), her position became more and more like an inverted pyramid, It has been said that Britain always lives "on the edge of doom." The aeroplane and the unprecedented changes
in world economy make this more true than ever. If she fell she would never rise. The chapters on industry would please Sir Stafford Cripps by their highly skilful marshalling of facts. Do you realise that with less than a thirtieth of the area of the United States, Britain has more than a third of America’s population, or that before the war only 6 per cent. of the occupied population were in agriculture? And if you think of manufacturing in terms of big bosses and armies of hands, reflect on this, that in 1935 four-fifths of industrial firms in England employed not more than ten workers. The other day an economist made the point that efficiency was not necessarily measured\ by size; some of the smaller firms in Britain were in the lead. N "The Visual Arts" A. E, Richardson makes a statement that will be received with astonishment, and perhaps with guffaws. "The English are an artloving people, ever appraising lucidity of accomplishment, which they never fail to recognise." It depends possibly | on what you mean py art. Gardening, for example, is a national art in England, as it is in New Zealand. CohenPortheim would have gone some way with Richardson, for he assured Europeans that England had far more artespecially in the domestic sphere-than they had supposed. In "Literature" James Sutherland finds an™ explanation of the nation’s magnificent body of poetry in the reticence, the in-drawing of the Englishman, his habit of intellectual and emotional privacy. He draws from a deep well of his own. Professor | Garrod remarks that the meaning we give to the word "humour" is essentially and exclusively English. Where tenderness and seriousness fail, English humour ceases to be the best in the world. Ac-|
cording to Lady Violet Bonham Carter, .the Englishman remains in a measure a child all his life (which foreigners have noted) and she mentions the English genius for nonsense. No continental could have written the "Alice" books or the Lear verses. There must be a connection between this childishness and a remark by I. J. Pitman in "Recreation and Games" which is particularly appropriate amid this year’s long-drawn test match ordeals for players, spectators, and listeners. "Ten minutes of hopscotch or of cricket against a lamppost is (apart from the danger from and to traffic) worth all the international meetings ever staged in any sport.’ He believes too that the English "actively dislike Olympic Games." He is probably
right, but all the same they flocked to Wembley day after day. The most _ baffling people in history, one might say. The "nation of shopkeepers" who have always been poets. A people who push fondness for animals deep into sentimentality, yet hunt the fox, the otter, and the half-tame deer. A nation that has kriown no conqueror for nearly a thousand years and has fought more widely than any in any age, yet remains strongly _non-militarist, They
dislike thinking, but their thought has profoundly influenced mankind. Look at their roll of scientists. Non-mystical in religion, they are mystics in living, in that they hold there is something higher than reason. In the final chapter, "An Attempt at Perspective," the editor lists these "constants" in English life: social homogeneity; the vogue of the amateur; the} figure and idea of a gentleman; the ‘habit of voluntary service; eccentricity; and youthfulness. In the last, as in their insistence on the reign of law, they resemble the ancient Greeks. I would add a remark I came on recently, that the first thing to be said about the English was that they did not kill each other. You have onl to look at the foreigh news any day to see what this means, They are kindly, tolerant, ready to give the other side a hearing. More than anything else, this quality, plus their general ideal of freedom based on law, makes their continuance as a great nation absolutely vital to the de-
tence of true civilisation.
A.
M.
*THE CHARACTER OF ENGLAND. Edited by Ernest Barker. Oxford, at the Clarendon Press.
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19480903.2.16.1
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 19, Issue 480, 3 September 1948, Page 8
Word count
Tapeke kupu
1,867The Riddle of the English New Zealand Listener, Volume 19, Issue 480, 3 September 1948, Page 8
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.