Fourteen--Stringed Instrument
N old instrument-and at the same time a new one to most New ZeajJand listeners-is the viola d’amore, which is being heard in the programme The Golden, Age of Music, presented on alternate Tuesday evenings from 2YA by Zillah and Ronald Castle. The viola d’amore is a most unusual stringed instrument, both tonally and in its construction. It was a favourite instrument during the 18th Century, but with the changes of fashion it dropped out of use (except for an occasional part in ‘last century operatic works) which was a pity, for it possesses a tone of singular sweetness. It has seven strings played with a bow, and an additional seven sympathetic strings below the bowed strings. These sympathetic strings are threaded through the base of the bridge, run parallel with the upper strings and terminate each in its own peg in the neck of the instrument. The sympathetic strings are not touched by the bow, but merely vibrate in sympathy with the bowed strings, thus imparting a richness and a kind of "distant" quality to the tone, which renders the instrument unrivalled in conveying sentiments of poignancy, tenderness and wistfulness. The tuning of the bowed strings is varied according to the key signature of the composition. Although the instrument has the sloping shoulders and deep ribs characteristic of the "viol" family, it has no frets, and is held, not between the knees, like the viols, but under the chin, like the violin,or viola. The out-ward-curved bow of the period is used. The music for the instrument is difficult to obtain, as nearly all of it is in manuscript form in museums and libraries. The viola d’amore, in addition to being heard as a solo instrument, in The Golden Age of Music programmes, will be used in later performances of the series in obligatos to songs by John Dowland, J. S. Bach and Henry Pur-. cell, in combination with the Recorders and Harpsichord. Associated with Zillah and Ronald Castle in the programme are Roy Hill (tenor), Sybil Phillipps (soprano), Joseph Miller (baritone), and Shirley Marment (2nd Recorder). |
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New Zealand Listener, Volume 19, Issue 478, 20 August 1948, Page 19
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349Fourteen-Stringed Instrument New Zealand Listener, Volume 19, Issue 478, 20 August 1948, Page 19
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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