Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image

Proof of the Pudding

ILL THE END OF TIME, 2ZB’s Friday night feature on the lives of great composers, is culture administered under a light anaesthetic, music doped (continued on next page)

RADIO VIEWSREEL

HESE notes are not written by the staff of "The Listener’ or by any member of the New Zealand Broadcasting Service. They are independent ccmments for which "The Listener" pays outside contributors.

(continued from previous page) up with romance (in its two-fold interpretation as female interest and as tall story). Moussorgski, on a recent Friday, was fairly typical of what I have heard in this series. Artfully, the programme arranger takes up his position in the St. Petersburg of 1881, on the day of Moussorgski’s funeral. He overhears the comments of four of the spectators whose lives have been closely linked with Moussorgski’s-his colonel, his sweetheart, an impresario, a musical colleague-and from these viewpoints we reconstruct the composer’s life. But I have always felt that the composer’s life-story is even less important for the understanding. of his wotks than the poet’s or the artist’s; the average listener interprets a musical composition in terms of his own experience rather than the composer’s. And the musical plums imbedded in the programme (the sardonic gusto of "Song of the Flea," the blithe realism of the "Cossack Dance") seemed as haphazardly placed and as differént in texture from their matrix as the threepences in the Christmas pudding. But let us not, on this account, underestimate the pudding itself. It was the very stuff of. which. good radio programmes are made, a little on the sweet side, perhaps, but good, emotionally rich listening. (Though I refuse to believe that the colonel actually said "Damme, sir, I want no namby-pamby milk-and-water-drinking mother’s boys in my regiment" and ordered the 18-year-old Moussorgski to drink diurnally half a bottle of vodka and a full bottle of champagne. Damme, it’s too much.)

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19480319.2.48.5

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 18, Issue 456, 19 March 1948, Page 29

Word count
Tapeke kupu
317

Proof of the Pudding New Zealand Listener, Volume 18, Issue 456, 19 March 1948, Page 29

Proof of the Pudding New Zealand Listener, Volume 18, Issue 456, 19 March 1948, Page 29

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert