FILM RIGHTS OF BOOKS
ITH British film studios being exhorted to increase production, English authors are hoeful of augmenting their incomes by the sale of the film rights of their books. The prices normally paid for these rights are, however, not spectacular.. A report that £120,000 was paid for the rights of a new novel by F. L. Green was received in literary circles in London with some scepticism as the, price ordinarily offered by British film companies for a publishéd book is about £3000. The figure might even in some cases be as low as £500, while it was stated that the maximum that could be hoped for by an unknown writer was £5000,
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19480206.2.37
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 18, Issue 450, 6 February 1948, Page 17
Word count
Tapeke kupu
115FILM RIGHTS OF BOOKS New Zealand Listener, Volume 18, Issue 450, 6 February 1948, Page 17
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.