Artistic Propaganda
ROPAGANDA usually has to dispose of the listener resistance it generates before it can get its message across, because no matter how worthy the cause advertised we tend to resist dictation. But to me Wang Fu’s Family, which 2YA broadcast on a recent Monday in their CORSO appeal, was a triumphant exception, The play was beautifully written, the production almost flawless, with many moments of artistic rightness, as in the passage where Wang Fu’s wife, standing in the doorway of the hut, recites a few lines of a poem on evening which sounded to this ignorant person like something by Arthur Waley out of Li T’ai-po. But it will succeed as propaganda not because of- its artistic merits, but because it is one of the few attempts made to "sell" any kind of new order in terms of the old. Any person who has China’s welfare at heart must approve of Indusco, but many of us temper out looking forward with an occasional wistful backward glance at the Old China whose superficial graces were made familiar to us in song and story. Wang Fu’s Family succeeds because it convinces us that we can have our cake and eat it too. By the simple device of allowing his Chinese Indusco organiser to quote Confucius and refer to himself as "this miserable person" author Tyndall has succeeded in convincing us that we can build a new China using the best bricks salvaged from the old.
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19480102.2.15.1.5
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 18, Issue 445, 2 January 1948, Page 7
Word count
Tapeke kupu
245Artistic Propaganda New Zealand Listener, Volume 18, Issue 445, 2 January 1948, Page 7
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.