World Theatre
AFTER Christmas fare one is usually quite glad to go back to bread and butter for a while; but after the Christmas fare of the World Theatre series our daily bread is inclined to turn to ashes in the mouth, I rarely miss a radio play, and in the course of listening to Rostand’s L’Aiglon from 4YA,.turned regretfully to my home station in Christchurch to hear-The Lady from Abroad, by Mabel Constanduros and Howard Age. It was 20 minutes badly spent, and I was glad to have L’Aiglon to return to. But of all this series not ene has, in my opinion, come up to the standard of The Trojan Women, considered solely as a radio production, In ail the others one was conscious of the fact that it was.a radio production, and this applies particularly to Shaw and Ibsen.. But with The Trojan Women one can almost believe that Euripides had a radio audience in mind when he wrote it, so much is gained and so little lost by this form of presentation. It is, however, possible that one cannot regard this work with critical detachment merely because of its success on the air, and it is probably selfdeception to imagine one can. sss nneeeeeeneeeeeee |
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New Zealand Listener, Volume 18, Issue 444, 26 December 1947, Page 9
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208World Theatre New Zealand Listener, Volume 18, Issue 444, 26 December 1947, Page 9
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.