THRILLER SERIALS
Sir-When the Wellington Housewives’ Association recently requested "more suitable radio programmes because the majority of children listened to crime serials and not to children’s programmes," they went too far. I know many who, like ourselves, prefer "Thrillers" first, and we «also pay radio licences; we don’t request the deletion of crooners, jazz and rhythm because we detest them; we realise that all tastes must be considered, though at the same time we believe these do more harm than anything else, in failing to elevate children’s tastes. If parents cannot insist upon ‘the children tuning ‘to something else when a thriller is due; they lack ‘parental control; this, and not thrillers and unsuitable films is the cause of child delinquency. One has only to see a young mother entering, bus or tram, with a couple of children whom*she tells to "go and sit down" to notice that by no chance i¢ her ‘order evér obeyed until she reaches a seat; so’small wonder there is no obedience at home. It is absurd for these women to think that’ people are going to tolerate programmes limited to the level of children’s. mentality.
MORE THRILLERS
(Auckland).
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19470905.2.14.1
Bibliographic details
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New Zealand Listener, Volume 17, Issue 428, 5 September 1947, Page 5
Word count
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194THRILLER SERIALS New Zealand Listener, Volume 17, Issue 428, 5 September 1947, Page 5
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.