Wrong Time
TATION 4YA has a session, Who’s Who in the Orchestra, which, although |} I haven’t heard it as yet, must be of interest to those listeners whose acquaintance with such instruments as the cor anglais and the bass clarinet is of the variety described as nodding or passing. I say that I haven’t heard it, as yet; indeed, few people have leisure time to listen to an exposition of orchestral instruments at 10.40 in the morning. I am not denying that My Lady may want to know what to listen for at the next concert of the National Orchestra, nor that she will thereby find her enjoyment of the concert much enhanced; such knowledge may well be to her of as absorbing interest as How. to Cook Without Fuel, or How to Make Rushlights, problems which at present loom large on the horizon of Dunedin’s housewives. But why should My Lady have the monopoly of this session, which can surely have no feminine bias, but is directed at all listeners who want to supplement their knowledge of the orchestra? I see that Greymouth has put the same programme on at 8.30 p.m,
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19470704.2.16.6
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New Zealand Listener, Volume 17, Issue 419, 4 July 1947, Page 9
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193Wrong Time New Zealand Listener, Volume 17, Issue 419, 4 July 1947, Page 9
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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