The Same Again
\V HEN there are so many thousands of interesting songs in the possible repertoires of our singers, why should it happen that a song should be duplicated in radio programmes? And yet we have had quite a lot of duplication within a week or two, and all from the same station. There was the excellent Orpheus Choir, from Oamaru, singing among other things Handel’s "Silent Worship" (I didn’t like the arrangement, by the way)-this item from 4YA, On Thursday of the same week Christina Young’s programme, also from 4YA, included "Silent Worship" by Handel. Looking back to the programme of the Lyric Choir, from 4YA, what should I find but Handel’s "Silent Worship"! Then both Miss Young and Miss Rosamond Caradus included Bach’s "My Heart Ever Faithful" in recitals from 4YA, only a week apart. All this doesn’t really matter, as these programmes have luckily been filled with many other songs; I liked particularly the programmes of Miss Young and Miss Caradus, who allowed us to hear some new and _ interesting songs. But I shan’t be at all sorry if the programme arrangers don’t include Handel’s "Silent Worship" in any more broadcasts this year.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19470620.2.23.4
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New Zealand Listener, Volume 17, Issue 417, 20 June 1947, Page 10
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197The Same Again New Zealand Listener, Volume 17, Issue 417, 20 June 1947, Page 10
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.