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Week of Song Cycles

FJURING the M.C.C.’s visit to Otago, 4YO went on the air in the afternoons to take the alternative programme, so that; thanks to a little forethought, the Classical Hour did not have to give way to the cricket commentary. What’ anyone was to do who wanted to listen to both, of course, was not provided for; but I imagine most of those who were in favour of cricket would have gone.to the match, anyhow. It would have been a pity to omit any part of the week of Song Cycles, which were the afternoon feature. e had Bach’s Wedding Cantata, two afternoons of Schubert’s Maid of the Mill, Vaughan Williams’s On Wenlock, Edge, and Britten’s remarkable Serenade for. Tenor Voice, French Horn, and Strings (which sounds, as usually anndunced, as though it had been written for that bandsmen’s instrument, the tenor-horn). With two days still remaining in the week, this cycle of works abruptly finished, Schumann and Brahms evidently being "also rans."

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19470403.2.26.1

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 16, Issue 406, 3 April 1947, Page 12

Word count
Tapeke kupu
166

Week of Song Cycles New Zealand Listener, Volume 16, Issue 406, 3 April 1947, Page 12

Week of Song Cycles New Zealand Listener, Volume 16, Issue 406, 3 April 1947, Page 12

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