Meat in the Diet
OMMENTATORS in the BBC ‘~ Listener have been’ complaining lately of too much meat in the programmes, and the impossibility of hearing, marking, learning, and inwardly digesting all but. a small portion of it. One complains "The exhausted critic reaches the week’s énd like a harassed parent at the railway station-Gissing, Shaw, Tennyson, Marlowe, Saroyan, Chekhov... .". Another writer lists the subjects for the week’s -talks, "The Romans in Britain, social philosophy, elephant-keeping, poets, poetry and the art of translating poetry, the art of Rodin, the art of chimney-sweeping, the art of chitiren,the art of the symphony, exploration-these were only a few of the subjects aired last week, . ." Overfed? Looking over the Dunedin programmes lately in a search for something new to write about, I can’t help feeling that intelligent listeners here are being given, in comparison, a starvation diet. It is true that, in exchange,
as it were, for our food-parcels to Britain, we have a good proportion of imported BBC programmes to liven our diet. But why should it be necessary to import our culture? It cannot be argued that with our smaller population we shouldn’t expect as much in the way of intellectual fare as the British listeners get. This is false reasoningit is proportion which counts, And, in proportion to our population, we have surely as high a percentage of poets, writers, musicians, teachers, good speakers, and intelligent listeners as any other country. We should therefore expect a comparable proportion of inteHigent broadcasts in our programmes. Cannot the brains of our intelligentsia be used to raise the standard of our serious broadcasts, and to provide more of them?
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New Zealand Listener, Volume 16, Issue 405, 28 March 1947, Page 9
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274Meat in the Diet New Zealand Listener, Volume 16, Issue 405, 28 March 1947, Page 9
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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