PEREHETA OTENE
(Written for "The Listener" by
ELIZABETH ANN
MILES
HE was an old, old woman, very small and bird-like. Her straight, wispy grey hair was cut shoulder length and stuck out from the brim of her shapeless black hat. Her skin was mahogany brown, and seamed and lined and wrinkled with some eighty-odd years in the sun and wind of North Auckland. She came into the little office at the back of the store one morning with her monthly statement in her hand.
"Look," she said, "you do this wrong. [ got the twenty-pound balance, all the , time." I had a vague recollection of hearing about this twenty-pound balance before, but the fact remained that Pereheta’s purchases last month had left her with only £17/12/6 on the credit side. I tried to explain this to Pereheta. Together we went over last month's bills. But Pereheta was obdurate. "No," she said, shaking her head decisively, "I got the twenty-pound balance, all the time. I tell George. He know." "I know, Pereheta,"’ I said, "but you can’t always have a twenty-pound balance if you spend more than your pension." Pereheta’s pension was paid in to the store through the Post Office and each month she drew her groceries and other goods as she needed them. Pereheta lived with a married daughter and a swarm of grandchildren. Painstakingly I went over the items again. I added up and subtracted while Pereheta looked glumly on. Finally she said, "I wait for George. He speak the Maori. All right, I wait for George." And so she waited around ‘for George.
George was the proprietor of the shop, and all morning Pereheta was in and out of the office looking for him. Finally George arrived and the old lady followed on his heels into the office. Then followed a long and sometimes heated argument in Maori. Finally George came out of the inner office. "Look," he said, "you'll have to separate this twentypound account from Pereheta’s working account. She’s keeping it for her funeral and. she doesn’t want it touched. We'll have to cut down on her supplies a bit till she gets up straight again, but for goodness sake give her her twentypound balance!" So I made out another ledger-sheet for Pereheta and I put a twenty-pound balance on the credit side and showed it to her. Pereheta looked at it and nodded her old head and smiled. "It’s all right," she said, "I talk to George. He speak the Maor.!" And she wandered happily out of the shop. Of course Pereheta’s current account showed a debit of £2/7/6, but I didn’t show it to Pereheta. She wouldn’t have understood it if I had.
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19470228.2.52
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 16, Issue 401, 28 February 1947, Page 32
Word count
Tapeke kupu
449PEREHETA OTENE New Zealand Listener, Volume 16, Issue 401, 28 February 1947, Page 32
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.