Blighted Prospect
"THERE was the prospect of a pretty good half-hour from 3YA_ between 5.45 and 6.15 p.m. on Sunday. The first quarter-of-an-hour was taken up with Walter Gieseking playing Debussy’s Children’s Corner Suite. I have heard musicians quarrelling over Gieseking’s presentation of some of Debussy’s Preludes and have felt myself, in a rather vague way, that something was wrong, or that Cortot would have done it differently, but his Children’s Corner is thoroughly satisfying in the way it is interpreted, and my complaint was never of his technique, which is stupendous. From 6.0 to 6.15 there was a light programme of verse and music: Limericks and Landler. Landler were explained pleasantly, and a few of these sportive dances were played by Lili Kraus and Alfred Cortot, while limericks were pulled out at intervals, like plums from a pie. It was a good idea and could have been a most entertaining quarter-hour, but I regret to say that the script was careless and the reading not up to standard. It is a New Zealand tradition that a length of balingwire will hold a sagging gate indefinitely, and near enough is good enough, but making do with clichés on the radio. is not. good enough. Far better to have no. introduction to a limerick than to say "Have you heard this one?" or "This one may be acceptable," and far better to have no limerick than to read the last line in such a way that it does not scan.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19470214.2.16.8
Bibliographic details
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New Zealand Listener, Volume 16, Issue 399, 14 February 1947, Page 12
Word count
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249Blighted Prospect New Zealand Listener, Volume 16, Issue 399, 14 February 1947, Page 12
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.