Whichever way "You look the spotlight'$ on your HAIR ! Constant daily care with Barry' $ Tri-coph-erous helps prevent Falling Hair, Dan- druff; Premature Greyness, Brittle Hair; Itching Scalp: BARRYS Tri-coph erous FAMOUS HAIR TONIC Sold by all Chemists & Stores Lanman & Kemp-Barclay 8 Co. (Inc ). Water Street, New York: 6 JAz} Im"e e a Piano Stylist MAK & YoU R Ow N A R r ANGe M Ents See for Yourself (harrs Zanron 08 Them inG RHYTHMTL PIANO jlfls course F caplete 807 rse 0 hoey 1 play "Ponulav Soqe REVEALS PROFESSIONAL SECRETS EASY To Follow INSTRUCTIONS: How many times have you tried to play popular song exactly as written only to find it lacked the Fill-in the Professionals employ They filled-in 1e You didn tl NEW IDEAS Not your fault at all; Chords, Basses you were never taught Fillers Breaks, to fill-in or improvise Modulations, In- This course is to In- troductions, Ar- struct you step by step ranging Endings the art of filling-in -all included in and improvising the Course EASY FOR BEGINNERS Our instruction starts you from scratch and progresses step bv step throughout the whole Course. THINK Of IT You can get Professional tuition in your own home and learn to play popular songs with surprising skill at amazingly low cost. WRITE Now- -Stating whether you are a pe- ginner or have some knowledge of music. CHARLES PATTERSON; School Of RhYThMIC Music, 86 S Cashel Street, Christchurch: Boogie Swing SZYLE 44i
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19470117.2.18.1
Bibliographic details
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New Zealand Listener, Volume 16, Issue 395, 17 January 1947, Page 8
Word count
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242Page 8 Advertisement 1 New Zealand Listener, Volume 16, Issue 395, 17 January 1947, Page 8
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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