Four-Minute Alibi
OME time ago, a writer in these colums commented on the choice of Bach’s "Art of Fugue" as a radio-alibi in a certain detective novel, since this work, in spite of Miss Marsh’s assurances, had at that time not been heard on the radio in this country. Those who have been listening to 4YA on Friday nights now know different. Bach’s "Art of Fugue" has made brief but regular appearances, before and after the weekly readings by Professor T, D. Adams, and selections have been used by a. skilful hand to illustrate a variety of subjects. Nothing could better have set the stage for readings from Mrs, Gaskell’s Cranford than the string quartet’s performance of something labelled, simply, Contrapunctus 9. But as for providing an alibi such as the one in Died in the Wool, this would not be possible in the short extracts played, unless the mufder were done with fine despatch in the time taken to play one side of a record. :
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19461206.2.30.7
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New Zealand Listener, Volume 15, Issue 389, 6 December 1946, Page 15
Word count
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166Four-Minute Alibi New Zealand Listener, Volume 15, Issue 389, 6 December 1946, Page 15
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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