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STUDIO AUDIENCES

Sir--I may be wrong but I understood radio programmes were for licensed radio listeners. If that is correct then I don’t quite see why 150 persons (who may or may not have paid license fees) permitted on sufferance to the studios, should be allowed to mar the effect of the item by’ sudden, almost .antiphonal and vociferous applause. This nullifies the point of a quip, joke, repartee, or full appreciation by listeners on the radio of the item, which the audience, plus vision, can appreciate more instantaneously than can radio listeners, One is led to pre‘sume that a visible audience, or the "gallery," must be played up to. There should be a notice writ ‘large and insisted upon, to this effect: "Audiences here are requested to stifle, or at least ‘delay, vociferous applause."

FRED C. S.

LAWSON

(Matakana.)

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19461129.2.14.2

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 15, Issue 388, 29 November 1946, Page 5

Word count
Tapeke kupu
140

STUDIO AUDIENCES New Zealand Listener, Volume 15, Issue 388, 29 November 1946, Page 5

STUDIO AUDIENCES New Zealand Listener, Volume 15, Issue 388, 29 November 1946, Page 5

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