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RAYMOND LAMBERT

Associate Artist with Joan Hammond ITH a reputation unsurpassed in Australia as an accompanist, Raymond Lambert has toured during the past 10 years with most of the overseas singers visiting the Commonwealth. The list has been steadily mountingDame Clara Butt, Ezio Pinza, Elisabeth Rethberg, Alexander Kipnis and the Australians Essie. Ackland, John Brownlee, Florence Austral and Marjorie Lawrerice. Now he is visting New Zealand, as accompanist and associate artist with Joan Hammond. He found his tour with Marjorie LawTence a few years ago-taking in such widely separated places as Townsville, Darwin and Adelaide-a most interesting experience. The pianos were not always up to concert platform standard, but the appreciation of soldier audiences all along the line was none the less warm. At. Darwin, on one occasion, Lambert came out to play the anthems, and after completing God Save the King and The Star Spangled Banner, he noticed a slight commotion as he retreated from the improvised platform. He was later told. that ‘voices all over the hall -were calling out "What About Joe?" in professed indignation. Programmes on the whole were popular choice, but he would sometimes include a movement with a march tetnpo from a modern Prokofieff work, and he found that it was received with great enthusiasm. Raymond Lambert has maintained equally his standing as a concert pianist, and on all tours he plays solo items as well as accompaniments for the singers. Musical Upbringing As he was born into a musical en-vironment-his father, the late Edouard Lambert, was a concertmaster of leading orchestras in Belgium, and. his mother an operatic singer-it was natural that Raymond Lambert should have become a musician. After graduating from the Brussels Conservatoire he appeared with his father in sonata recitals in Belgium and elsewhere on the Continent. When his family went to Australia to settle he accompanied them and has remained there ever since, with the exception of one visit to Europe, when he did a refresher course of study. The musical talent inherent in the Lambert family has every chance of revealing itself in still a third generation. Of the three children of Mr. and Mrs. Lambert, John, aged ‘10, and Jillian, who is eight, are both being taught. music. Raymond the younger, at four, is still too young. As their father adds, with humorous resignation: "They are not being taught by me. ... I can exert my authority over my pupils but not over my children." In any case, he does not mean to push them, for he believes that if they have any talent it must develop naturally,

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19461018.2.18

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 15, Issue 382, 18 October 1946, Page 8

Word count
Tapeke kupu
430

RAYMOND LAMBERT New Zealand Listener, Volume 15, Issue 382, 18 October 1946, Page 8

RAYMOND LAMBERT New Zealand Listener, Volume 15, Issue 382, 18 October 1946, Page 8

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