ITMA
jas AGATE, whose opinions I usually treat with respect, has let me down. I have discovered, via Ego 6, that he does not approve of Tommy Handley, except as a possible member of Parliament by virtue of the fact that his forthright sterling countenance is a guarantee against funny business, But the unfunniness of That Man’s face, assuming that it is unfunny, cannot affect me, a member of the radio audience. So I am unreservedly glad to find Tommy back on his old Saturday night beat at 2YA, together with such members of the Old Guard as the Colonel ("I don’t mind if I do"). It has been said that familiarity with the Ztma programme is a necessary preliminary to its enjoyment, and though I am willing to admit that love grows by what it feeds on and one must have fuel to feed the flames, I do not therefore deny the possibility © of mutual affinities and love at first sight. By which I mean that though I have met Tommy’s Irish nurse Annie, only twice I now find the sound of the talcum powder squelching out of her shoes almost as welcome as Mrs. Mopp’s "Can I do you now, sir?"
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19461004.2.19.8
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New Zealand Listener, Volume 15, Issue 380, 4 October 1946, Page 11
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203ITMA New Zealand Listener, Volume 15, Issue 380, 4 October 1946, Page 11
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.