Honey Still for Tea?
HAT is it that accounts for the deep and continuing affection felt for the poetry of Rupert Brooke, recently presented from 3YA in a BBC Chapter and Verse study? The intrinsic merits of his verse do not, I think, altogether account for it; full of charm and entertainment, they never really ‘say anything final about the poet’s attitude to life. They are rather incidentals arising from the spirit of a divine amateur; and those who argue, probably justly, that Brooke died young and that the powers would have matured, miss the point that it is that spirit of the amateur (in the best sense of the word), innocent and untouched by bitterness, or, it must be added, any very profound sort of experience, that his admirers love in Brooke’s work. "This singularly ° fortunate young man," a modern commentator’ has‘ called him, and part of his abiding popularity is thus to be accounted for, He is the poet of the pre-1914 world on which two generations have learnt to look back with nostalgia as on a world of, security and comfort and freedom from the constant, pesterings and responsibilities of to-day. In 1909 Brooke could sit in Berlin and wish he was in Grantchester; thirty years later dwellers in Grantchester were wondering how to keep Berlin out of their back gardens.
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19460712.2.28.1.10
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 15, Issue 368, 12 July 1946, Page 15
Word count
Tapeke kupu
224Honey Still for Tea? New Zealand Listener, Volume 15, Issue 368, 12 July 1946, Page 15
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.