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ANGELA PARSELLES is a musician who sings; she is also a singer who is musical. For her, the voice is the servant of heart and mind, something much more than a mere vehicle for vulgar exhibitionism. On June 22, 1YA relayed from the Auckland Town Hall the first group of a request programme, comprising some early Italian songs. These were sung with the right combination of warmth and detachment, the warmth implied in the polished phrasing, and in the sympathetic and clear enunciation. Pergolesi’s "Tre giornis," which usually receives perfunctory treatment from sopranos, was infused with new life, but the opening Monteverdi "Lascatemi. morire" set the . standard. Miss Parselles’ voice is not altogether free from wobble and ‘she has an uccasional tendency to pusn her chest notes up too far, with a consequent deterioration in quality and intonation. These faults, however, hardly detract from the enjoyment of singing imaginatively expressed through sincere musicianship.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19460705.2.34

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 15, Issue 367, 5 July 1946, Page 15

Word count
Tapeke kupu
153

Untitled New Zealand Listener, Volume 15, Issue 367, 5 July 1946, Page 15

Untitled New Zealand Listener, Volume 15, Issue 367, 5 July 1946, Page 15

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