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Spiritual-Swing

FATS WALLER playing ‘Deep River" on the organ. Here the two poles of Negro music life méet, the religious and the hectic swift orchestration which the Negro film Cabin in the Sky showed contending as spirit against flesh. What sort of performance was it? The way in which Fats Waller here used’ the organ resembled figure-skating on thin ice over untold depths. At any moment Leviathan may raise his head and shatter the whole picture, Waller kept him well down, and yet his playing was not superficial; I doubt if any Negro could touch the religious music of his people without a knowledge born of sincerity. But nevertheless the word that came inte my head to describe the number was "sweet," used in its more technical sense-the sort .of slow lushness usually reserved to evoke emotions other than those connected with "Deep River." Waller, unsurpassed at a sort of wild, faintly macabre hilarity which in its way spoke for much that seems potent in the Negro mind, could not attack the deep waters without falling back on technique, not devoid of slickness; but withal worth having.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19460705.2.26.1

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 15, Issue 367, 5 July 1946, Page 10

Word count
Tapeke kupu
187

Spiritual-Swing New Zealand Listener, Volume 15, Issue 367, 5 July 1946, Page 10

Spiritual-Swing New Zealand Listener, Volume 15, Issue 367, 5 July 1946, Page 10

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