Sergeant Clotho
HE drawing of a major art union provides a broadcast session more dramatic than most serials. Whether or not we hold tickets ourselves, we can listen with a pure unenvious pleasure
as a fairy tale comes true for someone else. But there is more in it than that. We are actually hearing the machinery of fate at work, Mr. A. is there on behalf of the Department of Internal Affairs, Sergeant B keeps an eye on it
for the police, and draws the numbers, a Voice from a third person calls the name of the winner. The numbered marbles are shaken in their vessel, we hear them moving, and in our mind that container becomes the Spindle thet turns on the knees of Necessity; as we cannot see Mr. A of the Department of Internal Affairs, nor the Sergeant of Police, nor the Voice, there is nothing to stop us casting them as the three Fates, the sisters Lachesis, Clotho, and Atropos, dressed in white and garlanded as they seal each individual’s destiny. In fact, the Viewsreel Commentator finds once more that he has set out to deal with a modern phenomenon, only to femember that the Greeks had words for it, and in this case he must retire in favour of Plato, who has described the whole thing so much better in the last few pages of the Republic.
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New Zealand Listener, Volume 14, Issue 358, 3 May 1946, Page 15
Word count
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232Sergeant Clotho New Zealand Listener, Volume 14, Issue 358, 3 May 1946, Page 15
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.