Debatable Land
BARITONE in a 3YA Studio presentation was billed to sing something described simply as "Border Ballad." I tuned in to see which of the enormous number of possibilities had been selected, and was informed with some gusto that all the Blue Bonnets were over the Border. There is no complaint against this; the "Blue Bonnets" is a genuine Border song, though perhaps hardly a ballad. The curious thing is that a barbaric upland inhabited by professional cattle-raiders should have produced so unique a concentration of folk song and that of so individual a charac-
ter. A life in which the amateur and informal warfare was endemic presumably bred an ethic composed of the simpler and more adventurous virtues, which might be reflected in a poetry which for all its beauty and delicacy is essentially primitive; but that does little to explain the unique quality of the art. Sir Arthur Quiller-Couch could find no explanation of this but to suppose that in those parts lived a ballad-maker of genius, who left his imprint on all subsequent compositions. I have never been able to understand why Quiller-Couch did not go a step further and identify his mysterious master with Thomas the Rhymer, hero or narrator of several ballads, who possesses some sort of historical reality. But the whole theory is not especially convincing-the distribution of the ballads is too wide and the known dates are rather against it-and these
poems, seldom broadcast with any success, as the original music is mostly lost and that subsequently written an anachronism, remain something unique in English.
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19460405.2.20.5
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 14, Issue 354, 5 April 1946, Page 11
Word count
Tapeke kupu
263Debatable Land New Zealand Listener, Volume 14, Issue 354, 5 April 1946, Page 11
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.