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Good Singing

(CONSTANCE MANNING’S group of Russian songs from 1YA on March 6 was singing such as one always hopes for, but too rarely hears in studio broadcasts. The words, easy listening, were made poetry and one felt that the singer had reached the composer’s innermost meaning. Phrasing was meticulous and well-modulated. In short, this was most enjoyable music. Yet this singer, in common with the few others whose singing rises above the average, is not heard often enough. It would appear

from the programmes that little distinction is made in the engagement of artists, between those — too many of them-whose work is a constant apology, and those who have the ability and take the trouble to produce something fine.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19460322.2.23.4

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 14, Issue 352, 22 March 1946, Page 12

Word count
Tapeke kupu
120

Good Singing New Zealand Listener, Volume 14, Issue 352, 22 March 1946, Page 12

Good Singing New Zealand Listener, Volume 14, Issue 352, 22 March 1946, Page 12

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