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Orlando

EXTRACTS from Virginia Woolf’s strange re-creation of four centuries formed an attractive BBC reading from 3YA on a recent Sunday. The extracts ignored the more puzzling theme of the book, the personal development and adventures of Orlando, which included a change of sex at the end of the second century; and heaven forbid that I should discuss these mysteries here. But the

aspect emphasised by this reading was the purely historical; about one of the great English country houses-actually, I think, the Sackville-West seat at Knole -Virginia Woolf brought successive historical periods and scenes to life and translated them into that familiar idiom of the imaginative writer, the telescoped or timeless present; as Orlando walks through the great rooms, each prepared for a king who never came, each reign is simultaneously, yet in its order, alive and contemporary. Behind all, at the end of the gallery, moves the figure of a monk from the age before the great nobles; and the reading ended here, with a fragment of Peter Warlock to point this last cowled moral. But, in the end, the history lives only by the life-giving but distorting creation of the artistic retrospect; and each piece, as it is read, proves to be not record but high and magnificent fantasy. It is a personal vision at the last, and a certain brilliant impatience characterises it.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19460301.2.25.3

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 14, Issue 349, 1 March 1946, Page 12

Word count
Tapeke kupu
227

Orlando New Zealand Listener, Volume 14, Issue 349, 1 March 1946, Page 12

Orlando New Zealand Listener, Volume 14, Issue 349, 1 March 1946, Page 12

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