I TRAVEL FIRST CLASS
(Written for "The Listener" by
CECIL F.
HULL
ALWAYS travel first class. That statement may sound snobbish and extravagant. But wait, Don’t run away with the idea that I actually dissipate any hardearned cash in the Oriental luxury of those firm grey leather chairs. "No, when I say. that I always travel first class, I mean that I always buy a first-class ticket. That is the first move in- the fascinating if difficult game known as N.Z. Travel Limited. I then jein the queue for Reserves, and in time I find only the counter between me and a platinum blonde who turns over the pages of a mysterious volume which I, being merely the interiding ‘traveller, am not ‘permitted to examine for myself. Patise for wistful reminiscence of the good old days when we used to be
handed a diagram of the seating accommodation and then made a fastidious selection of the seat which was to have the honour of holding us on the journey. End of pause. The girl, after a brief survey, remarks casually, "No first-class seats available-you can have a seat in the second-class, O 36," With deepening suspicion you enquire if that is a seat at the end of the carriage with its back to the engine, the seat against which the door bangs with monotonous irregularity all through the night whenever the guard, under-guard, super-guard, pillowdealer or -peregrinating passenger decides on a tour through the train. Yes, she admits, that is the seat; and ‘though she doesn’t actually emit the words, you can see, "Take it or leave it," forming in her epiglottis. She points out that if, during the journey, a firstclass seat should become vacant, you are at liberty to move into it. No explanation is offered as to the method of divination by which you are to guess where or when this has happened, or how, in the dead of the night, you are to move a couple of suit-cases and a hat box through miles of darkened carriages to the desired haven.
You therefore submit, as she knew you would, and walk away meekly with your first-class ticket and second-class accommodation. Why, then, some dull people will ask, if you knew this would happen, did you buy a first-class ticket? Ah, that is where the real fun of the game comes in. In the first place you create a certain amount of stir when the guard comes for your ticket. You perch uneasily on the edge of your seat, like ‘a godwit which has alighted, during migration, on the wrong continent, looking as though the surroundings were unfamiliar and distasteful. You enquire whether there is or is likely to be a vacancy in the class to which your education, upbringing-and ticket-entitled you. Secondly, being an old hand, you insist upon the guard’s writing out a document which explains at some length the reason for this unfortunate occurrence. Then, upon arrival at your destination, comes the last move in the long game. You present your credentials at the right window, collect the refund and walk away, secretly rejoicing that you have saved those extra shillings. Truth compels.me to warn’ inexperienced players that there are one or two catches before you can feel you have won the game. For instance, there is no good going to the right window at the wrong time. If you do this, the N.Z.R, scores one. Then if the window is open, ‘you may find you have neglected the precaution of holding on to your ticket. If you have, the guard scores one. Of course, it is not a game for the aged and infirm, for sick persons or young children, but after all, the same may be said of Rugby football, and where would New Zealand be without Rugby? : So, in spite of all, I still travel first class.
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New Zealand Listener, Volume 14, Issue 345, 1 February 1946, Page 15
Word count
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646I TRAVEL FIRST CLASS New Zealand Listener, Volume 14, Issue 345, 1 February 1946, Page 15
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.