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Two Voices

HOPIN, like Wordsworth, had two voices. One was of the Paris salons, the other spoke with the breath of his native Poland. The first is to-day the more popular. It is the Chopin of the Waltzes, of many of the Nocturnes, of the Ballades, the Berceuse and the Barcarolle. A song to remember-perhaps. But the song Chopin remembered was "the blank misgivings of a creature moving about in worlds not realised’-the Mazurkas, the Freludes, Polonaises, the "Revolutionary" Study, the B Flat Minor Scherzo. This is vigorous music sometimes, as in the opening of the Scherzo, almost fierce, the masculine Chopin. Will it be remembered when the rest is forgotten? These thoughts were occasioned by Raymond Windsor’s playing of the C Sharp Minor Waltz and the B Flat Minor Scherzo from 2YA. This pianist displayed a maturity of interpretation quite beyond his years (he is, I believe, still in his teens). Apart from some smudged passage work it was very enjoyable music.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19460104.2.21.1

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 14, Issue 341, 4 January 1946, Page 10

Word count
Tapeke kupu
163

Two Voices New Zealand Listener, Volume 14, Issue 341, 4 January 1946, Page 10

Two Voices New Zealand Listener, Volume 14, Issue 341, 4 January 1946, Page 10

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