Wherefore Art Thou Opera?
OUNOD'S version of Romeo and Juliet was the most recent "Music from the Theatre" at 3YA; and a more fearful and wonderful mixture of wholly incompatible art-forms I never heard. Large chunks of the original Shakespeare were delivered in the actors’ best "ye olde blanke verse" manner by way of helping us to follow the plot; and interspersed throughout were other chunks of Gounod’s music, including Mercutio’s "Queen Mab" speech as a yodelling aria and incredible goings-on in the balcony scene. Please, may this not happen again? Let us either have a great verse
tragedy ora (perhaps rather less great) tragic opera, but in the name of Babel, not both. Better still, let future com. posers of opera not try to translate Shakespearian drama into the strange conventions of their craft, Few and far between are the operatic lovers whose fate matters twopence to an audience who seldom expect any sort of dramatic reality; but the misfortunes of Romeo and Juliet really matter to all men, and they had enough to bear without this. "Tybalt is dead and Romeo banished? Abhhhh, _ tiddely-om-pom-pom, che misericordia," No really!
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19451130.2.22.7
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New Zealand Listener, Volume 13, Issue 336, 30 November 1945, Page 13
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190Wherefore Art Thou Opera? New Zealand Listener, Volume 13, Issue 336, 30 November 1945, Page 13
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