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Wherefore Art Thou Opera?

OUNOD'S version of Romeo and Juliet was the most recent "Music from the Theatre" at 3YA; and a more fearful and wonderful mixture of wholly incompatible art-forms I never heard. Large chunks of the original Shakespeare were delivered in the actors’ best "ye olde blanke verse" manner by way of helping us to follow the plot; and interspersed throughout were other chunks of Gounod’s music, including Mercutio’s "Queen Mab" speech as a yodelling aria and incredible goings-on in the balcony scene. Please, may this not happen again? Let us either have a great verse

tragedy ora (perhaps rather less great) tragic opera, but in the name of Babel, not both. Better still, let future com. posers of opera not try to translate Shakespearian drama into the strange conventions of their craft, Few and far between are the operatic lovers whose fate matters twopence to an audience who seldom expect any sort of dramatic reality; but the misfortunes of Romeo and Juliet really matter to all men, and they had enough to bear without this. "Tybalt is dead and Romeo banished? Abhhhh, _ tiddely-om-pom-pom, che misericordia," No really!

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19451130.2.22.7

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 13, Issue 336, 30 November 1945, Page 13

Word count
Tapeke kupu
190

Wherefore Art Thou Opera? New Zealand Listener, Volume 13, Issue 336, 30 November 1945, Page 13

Wherefore Art Thou Opera? New Zealand Listener, Volume 13, Issue 336, 30 November 1945, Page 13

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