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CONCERT MANNERS

Sir,-While listening to 2YA’s broadcast of the Pnina Salzman concert I could not help wondering if our New Zealand audiences will ever be educated up to the point of not applauding between the movements of symphonies or concertos, It seems to break the continuity and quite spoil the atmosphere. I could not help noticing the difference when I hgard, the next night, from the BBC a recording of Myra Hess playing a Mozart Concerto at one of the Prom Concerts. There was absolute silence in between "movements" and then the ‘burst of rapturous applause at the finish. The applause between movements must be very disconcerting to both soloists and conductor, and I am sure a big percentage of the audience would be more than pleased if it could he etanncad

LISTENER

e (Christchurch)

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19451102.2.13.7

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 13, Issue 332, 2 November 1945, Page 5

Word count
Tapeke kupu
135

CONCERT MANNERS New Zealand Listener, Volume 13, Issue 332, 2 November 1945, Page 5

CONCERT MANNERS New Zealand Listener, Volume 13, Issue 332, 2 November 1945, Page 5

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