STRRII INl G S FOR ALL MUSICAL INSTRUMENTS Sancuh Oflt (Reunt theWerld All round the world, wherever organised entertainment and commerce are still to be found, you ]L fnd musicians demanding Black Diamond and Bell Brand Strings and music dealers stocked to supply their needs: Established in 1898, the National Musical String Co. is now the largest manufacturer in the world of the finest quality musical steel and wound strings. Manufacturing methods have consist- ently matched musical requirements, and today the special and exacting conditions of radio broadcasting and sound amplification have been met by Black Diamond Super Quality Bronze and Monel Wire Wound Strings. Ask your music dealer for BLACK DIAMOND and BELL BRAND STRINES If any diffculty in obtaining , write to Box 315, Wellington. Sc.| "WHATA4 "WERemanc IEMacaru(( If you can get hold of a BS.A: Bicycle today you ve achieved something: But if you 're one of the lucky oneg you' 'I1 agree that with their wartime model, BSA: have achieved something too: Post-war B.S.A: bicycles will be something more than something better: For sheer splendour of colour, design and performance, they'11 eclipse even previous BS.A: records. Some more BS.A: Bicycles are now coming into the country. Ask your dealer if he has one avail- able for you S you may be lucky. Or put your name down and be sure of it when it arrives. BSA Representatives: Bicycles: A. G Healing 6 Co. Ltd. 316 Madras St , Christchurch; and 42 Cable Sta, Wellington: Auckland District: Skeates White Lid,, 48 Fort St,, Auckland: Motor Cycles NZ: Skeates 6 White Lid: DSA BICYCLES AND MotoR CYCLES B.S.A: Cycles Ltd,, England:
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19450810.2.4.2
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New Zealand Listener, Volume 13, Issue 320, 10 August 1945, Page 2
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272Page 2 Advertisement 2 New Zealand Listener, Volume 13, Issue 320, 10 August 1945, Page 2
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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