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HE recording of Szigeti in Bach’s D Minor Concerto for violin and orchestra has been heard several times from Auckland stations this year, but I. had not come across the recording of the piano arrangement of the same concerto until it appeared recently in an afternoon Classical Hour from 1YA. A similar duplication exists with a concerto in F minor for the piano, of which both the Bartlett and Fischer recordings are often heard here, but which also may be heard as a concerto in G minor for the violin. There is nothing more delightful to a pianist and a violinist, and nothing more tedious to the rest of the company, than an interminable argument as to which form is the more beautiful. It is not Busoni who has made these transcriptions. The deed was done by that king of transcribers, J. S. Bach. He wrote these concertos first for the violin, then re-wrote them for the harpsichord. The violin versions were lost, and what are played now are fairly recent reconstructions of the original violin parts made from the existing keyboard versions,

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19450720.2.34.8

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 13, Issue 317, 20 July 1945, Page 17

Word count
Tapeke kupu
184

Transcription New Zealand Listener, Volume 13, Issue 317, 20 July 1945, Page 17

Transcription New Zealand Listener, Volume 13, Issue 317, 20 July 1945, Page 17

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