Aul the low notes all the high notes 66 ihisper leret OnLY THE ELECTRONIC EAR MEETS THIS ZTEST 0F hIbh FIDELITY REPRoduction Yes, that's the real test of life-like reproduction: Turn the volume down _ right down_on your The Electronlc Ear not only ensures radio does the music "thin-out" do high the fidelity of normal reception but notes and low notes almost disappear? That'$ reduces static on distant stations what scientists call "scale distortion" and gives maximum clarlty under all conditions. Scale distortion was successfully overcome when Columbus engineers invented the Electronic Ear: For the; ffirst time it became possible to have perfectly balanced reproduction at all volume levels even at "whisper level" for background music: You see there is a setting of the Electronic Ear for high, medium and low volume_and, in every case; it recreates exactly every note; every shade of voice or instrument; nothing lost and nothing added: No radio has ever done this before: That'$ why, if You expect living realism from the radio You own, ic must bear the name Columbus: CQLUMBUS RADIO A TRIMPh 0 F ELE �TRO84� $ Aat
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19450713.2.46.2
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New Zealand Listener, Volume 13, Issue 316, 13 July 1945, Page 25
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184Page 25 Advertisement 2 New Zealand Listener, Volume 13, Issue 316, 13 July 1945, Page 25
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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